DIG support

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Holding down the TAP footswitch enables Circular Repeats, where both delay lines maintain a static volume and repeat continuously until the TAP footswitch is disengaged. At this point, all previous settings will be restored.

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DIG will work with an external Tap switch that utilizes a TRS stereo cable connection. Check out our TAP Favorite switch.

• If NOT using our Tap Favorite switch, make sure that the switch you use has a normally open, momentary, SPST switch that ties the TIP and RING together to short with the SLEEVE when tapped.

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The secondary function for the MIX 2 knob sets the Dual Delay configuration. Press and hold both TAP and BYPASS footswitches while turning the MIX 2 knob to adjust. Turn left for Series, center for Ping Pong, or right for Parallel configuration.

Series

In Series configuration, Delay 2 feeds Delay 1. This is equivalent to putting two single delay pedals in succession on your pedal board. A mono input feeds both left and right channels.

Ping Pong

In Ping Pong Mode, the delays are configured in a series ‘ping-pong’ configuration. When using a mono output signal, this configuration is the same as the Series configuration. In stereo, each delay acts as a ping-pong delay, and they interact when both Mix knobs are turned up.

Parallel

In Parallel configuration, the delays do not interact with each other, but produce their outputs ‘side-by-side’. In Stereo, Delay 1 outputs to the left channel, and Delay 2 outputs to the right channel. When the right output is not used, the wet signal sums to mono so that both parallel delays are heard from the left output.

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DIG features two true-stereo delays that allow for many creative, rhythmic and ambient delay effects. Delay 2 is a synchronous subdivision of Delay 1 by default out of the box and can be set to run ‘free’ if desired. They can be combined in three different configurations:

• Series – Delay 2 (the rhythmic sub-delay) feeds Delay 1. It is like putting two single delay pedals in succession.
• Parallel – The delays do not interact with each other, but produce their outputs ‘side-by-side’ as shown.
  • When using both stereo outputs, Delay 1 outputs to the left channel, and Delay 2 outputs to the right channel. When the right output is not used, the wet signal sums to mono so that both parallel delays are heard from the left output.
• Ping Pong – The delays are configured in a series ‘ping-pong’ configuration. When using a mono output signal, this configuration is the same as the Series configuration. When using both outputs for stereo, each delay acts as a ping-pong delay to bounce between the left and right outputs, and they interact when both Mix knobs are turned up.

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DIG can be set up to mute the dry signal, useful for Parallel effects loops.

Press and hold both of the footswitches while plugging in the power to the pedal. While holding the switches down, turn the TIME knob to the RIGHT position to kill the dry signal. This will mute the dry signal, allowing the MIX and MIX 2 controls to be used as effect levels.

To turn off Kill Dry, press and hold both of the footswitches while plugging in the power to the pedal. While holding the switches down, turn the TIME knob to the LEFT position.

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You can set the input for DIG for either mono input or TRS stereo input. The pedal ships in mono configuration from the factory. Here’s how to adjust this configuration.

Remove the back cover of your pedal.

On the left side of the circuit board, you’ll see a jumper that can be set in two positions. Place the jumper on the left 2 pins for TRS stereo input. Place the jumper on the right 2 pins for mono input (factory setting).

In order to use the TRS stereo input, you’ll need a TRS stereo input adapter like the one shown below. You can purchase one here.

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DIG has unique digital voicings for 24/96, ADM, and 12 bit delays with the ability to set the output configuration to ping pong between the left and right outputs when used in stereo.  It also has the Golden Ratio tap division which is not available on the TimeLine and provides delays that will never step on the repeats for getting a great ambient sound with long trails.

On TimeLine there are more options for the different ratios of the second delay, modulation, and filter controls for the Dual delay machine.

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To set the EXP input to TAP switch mode:

• Unplug power to the pedal.
• Set the two toggle switches to the bottom setting for DEEP and 12-Bit.
• Press and hold down both the TAP and Bypass switches as you plug in the power supply.
• Continue holding down the switches for about 5 seconds before releasing.
  • A TAP switch connected to the EXP input will control the TIME knob for Delay 1 on the Dig.

To set the EXP input to Favorite switch mode:

• Unplug power to DIG.
• Set the two toggle switches to the middle setting for LIGHT and ADM.
• Press and hold down both the TAP and Bypass switches as you plug in the power supply.
• Continue holding down the switches for about 5 seconds before releasing.
  • To save a Favorite setting, press and hold the BYPASS switch for a few seconds until the BYPASS light turns back on.